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Tue, 04.12.2007 Morrisseynimmt Stellung |
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Im morgen erscheinenden Guardian verteidigt sich Morrissey gegen Rassismus-Vorwürfe des NME aus der letzten Woche, wir berichteten. Der früherere Sänger von The Smiths findet von Anfang an klare Worte: "On Friday of last week I issued writs against the NME and its editor Conor McNicholas as I believe they have deliberately tried to characterise me as a racist in a recent interview I gave them in order to boost their dwindling circulation (...) I abhor racism and oppression or cruelty of any kind… racism is beyond common sense and I believe it has no place in our society." Morrissey vermutet hinter dem Vorgehen des NME Rachegelüste des Chefredakteurs Conor McNicholas, weil der Musiker nicht an einer Award-Show des Blatts teilgenommen hatte - was er ohnehin nie tut - und den ihm angebotenen Godlike Genius Award abgelehnt hatte. Weiter sagt der Wahl-Römer über McNicholas: "Uniquely deprived of wisdom (…) Conor doesn't understand how the relentless stream of "cheers mate, got pissed last night, ha ha" interviews that clutter every single issue of the "new" NME are simply not interesting to those of us who have no trouble standing upright."Hart ins Gericht geht Morrissey aber auch mit Tim Jonze, der mit ihm das Interview geführt und sich später von der gedruckten Version distanziert hatte: "I do not mean to be rude to Tim Jonze, but when I first caught sight of him I assumed that someone had brought their child along to the interview. The runny nose told the whole story. Conor had assured that Tim was their best writer. Talking behind his hands in an endless fidget, Tim accepted every answer I gave him with a schoolgirl giggle, and repeatedly asked me if I was shocked at how little he actually knew about music. I told him that, yes, I was shocked. It was difficult for me to believe that the best writer from the "new" NME had never heard of the song 'Drive-in Saturday'; I explained that it was by David Bowie, and Tim replied "Oh, I don't know anything about David Bowie." I wondered how it could be so - how the quality of music journalism in England could have fallen so low that the prime "new" NME writer knew nothing of David Bowie, an artist to whom most relevant British artists are indebted, and one who single-handedly changed British culture - musically and otherwise." Einen Dialog der beiden gibt Morrissey so wieder:
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